But for slow and relaxed...he’s already shown himself to be more than capable in Chopin and MLD—and to a lesser degree—LoA as well. Not to mention Chopin and MLD were more intricate choreographically as well. It’s a fine program, but I’m not really seeing how La Boheme is challenging him in new ways tbh. The only “new” element about La Boheme for him is maybe...the angst? I am also of the sentiment that the stuff he’s been doing with the Gadbois school has really not pushed him artistically (and it’s especially frustrating to see this because they have done such memorable programs for their dance teams). The dance moves Sam gives him have been fun to watch but unfortunately they’ve also been the only interesting parts of his past two FS’s. The problem I have with these two FSs is that they are soooooo simple and generic, so much so that I could have choreographed them. They lack any choreographic nuances and are just not developing his interpretive abilities in any way. Sorry but I don’t really consider landing jumps on the beat interpretation I agree with those who say the stsq’s have been a letdown (a huge one for me personally). In MLD when he stripped off 80% of the nuances towards the end at least he still had that one killer stsq. Here’s a message to Nathan: just because you have one cool chsq at the end of the program doesn’t mean you can’t have an awesome stsq too (especially when you are someone who could totally excel at it!)La Boheme works better as a show program under the spotlights and Rocketman could use a few more choreographic details, but I generally like them. More importantly, I feel he's learning things that will help further his development as a skater and performer. With La Boheme he's had to slow down and skate in a more relaxed fashion, while with Rocketman he's continued to learn new choreographic moves. For the Olympic season his team will be able to look back on his repertoire and pick out those things which he's done the best.
But for slow and relaxed...he’s already shown himself to be more than capable in Chopin and MLD—
Me too, and hence the examples I gave. The music for these programs all had a lyrical quality and slow-ish pacing.I don't think it's quite the same as he's skating a lot more powerfully now. When I mean "slowing down" I refer mainly to his upper body movements not his speed on the ice.
But Nathan was never "barely moving on the ice" in those programs?It's one thing to be relaxed while you're stopped or barely moving on the ice and another to do that while you're flying across the rink like he does now.
But Nathan was never "barely moving on the ice" in those programs?
Has it always covered this much distance??
I agree that it probably was watered down intentionally - especially since this was just an exhibition. There was no point in going full out. I think the audience was very happy just to see him in person. Glad to see that the Lutz is back. I’m wondering if he was a little injured at Nationals in addition to being sick. I think that is why Raf may have been so pleased with his FS even though it was slightly flawed.Lol @ Nathan for skating at the show in his practice clothes.
At least he made an effort and chose the turquoise top for a splash of colour.
But seriously, I think he literally just went straight after a training session to the show. You can tell that he must've been tired and was taking it very easy with only 1-2 quads (?), no combinations and a watered down ChSq and spins, saving his energy for his two 'wow elements' the Lutz kick and back flip.
I hope he's fine and this is a sign of him taking care of himself and not risking a silly injury due to overdoing it while being tired with heavy legs.