- Joined
- Mar 5, 2014
I mainly watched the women
1. Mao Asada's SP - Classy and mesmerizing, power in the triple axel and scintillating finesse in those rhythmic steps, one long flow of smooth motion and deep sharp edges with a great donut and two wonderful Biellman spin variations. Mao was so glamorous in this performance and such a wonderful dancer.
2. Kavaguti and Smirnov FS- incredible quad throw jumps and acrobatic lifts, intense drama and passion. theater meets athletics on ice.
3. Mao Asada's LP - for me the mistakes made the beauty of the triple axel, the steps, spins and expressive balletic movements stand out even more and fit the tragic storyline perfectly with their poignancy. I love Mao's long drawn out expression of melancholy and the slow turn to the right and long glide of her arm in anticipation at the beginning. The performance was truly beautiful but heartbreaking just like the story.
1. Mao Asada's SP - Classy and mesmerizing, power in the triple axel and scintillating finesse in those rhythmic steps, one long flow of smooth motion and deep sharp edges with a great donut and two wonderful Biellman spin variations. Mao was so glamorous in this performance and such a wonderful dancer.
2. Kavaguti and Smirnov FS- incredible quad throw jumps and acrobatic lifts, intense drama and passion. theater meets athletics on ice.
3. Mao Asada's LP - for me the mistakes made the beauty of the triple axel, the steps, spins and expressive balletic movements stand out even more and fit the tragic storyline perfectly with their poignancy. I love Mao's long drawn out expression of melancholy and the slow turn to the right and long glide of her arm in anticipation at the beginning. The performance was truly beautiful but heartbreaking just like the story.
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