I think fans value hard work and overcoming adversity quite a bit! Myself included. But, for some of us, the untrained members of the peanut gallery, a skate that makes us feel like we do after watching a great movie or listening to a great live concert is so important. And, this desire for 'greatness' transcends nationality and regional loyalties. I for one was ecstatic when Denis Ten skated at Worlds winning Silver. The 'simplicity' of his program did not prevent me from feeling rewarded as a spectator. I lived "The Artist" when I watched him. And that is the thing with figure skating, when there is passion and natural "it" in the performer(s), one cannot help but feel it and it is grand! When I watched Patrick skate as amazingly well as he did to Four Seasons, I kept replaying Stephane Lambiel's rendition in my head. Stephane is the one I remember when I hear the song. When Patrick skated to Concierto de Aranjuez, it almost felt as if he had blighted something holy - all I could remember was Michelle K. For me that is the mark of a true artist, when he/she can attach and fuse him/herself to a music to the point where you cannot think of one without the other. Patrick Chan has tremendous skill and amazing speed - but I feel nothing when I watch him - zero/nill. A matter of taste I suppose, since his fans see him as an artist without equal. On to the next competition!
I guess I'm not getting your complaint. Not every skater "moves" me emotionally, but that doesn't mean that they're not artistic or just a technical skater. Patrick didn't move you. Okay. But he is more than a skater with "tremendous skill and amazing speed". And no, I'm not even a Patrick Chan fan; I have zero emotional investment in the guy.
Funny, when you mention Four Seasons and Stephane Lambiel, what I think of is "hideous zebra shirt." And when you say Aranjuez and mention Michelle Kwan, I think, "emotional comeback, great performances in the US", but not really a great program (pretty much everything she did post 2002 had pretty minimal choreography).
Anyway, I don't know who you're speaking for when you refer to "some of us, the untrained members of the peanut gallery." Because I'm certainly untrained and part of the peanut gallery, and I was moved by Patrick's performances here. I thought he was amazing. Just because a skater doesn't move you doesn't mean they're not a moving skater. There's a difference there. And you're conflating so-called "true artistry" with a mishmash of things here--the ability of a skater to make someone feel, the ability to "fuse themself to the music" (not sure why you think Patrick didn't do that?), and those are separate discussions. I'm not saying Patrick is an artist without equal, but he deserves more credit than you're giving him here for his performances at TEB. And his Aranjuez was certainly not a "blight"...