- Joined
- Feb 27, 2012
A video of the press conference after SP
2016 SCI: Medvedeva/Tuktamysheva (SP)
2016 SCI: Medvedeva/Tuktamysheva (SP)
A video of the press conference after SP
2016 SCI: Medvedeva/Tuktamysheva (SP)
Evgenia Medvedeva @JannyMedvedeva 13h13 hours ago
So sleepy, but I will wait for Yuzuru SP.
Evgenia Medvedeva @JannyMedvedeva 13h13 hours ago
It's no matter. Yuzu the best. Let's go crazy tomorrow Good night
There's very little abstract in these programs. Most of stand up sequences are display of very specific actions. If anything, these programs are too specific rather than too abstract, so this critique sounds rather misplaced. As for "social/cultural autism", I can see how anything breaking out of the norm of the current very stale state of popular culture can look wrong. In the world where everything is just a rehash of a rehash, a provocative program like Evgenia's FS can look like an inadmissible audacity.I hate to be mean, but I am not really happy with the direction Eteri and Averbukh have taken Evgenia... the SP miming is too abstract in a couple moments which makes it puzzling(I prefer last year's SP)... and the FS voices in the step sequence are cringy(because I can hear GWB talk about airplanes... he's the music without voices, could they find something else?)(though overall, I really liked it at the Japan Open). Both show a level of social/cultural autism that I"m starting to get tired of seeing in Russian programs. I'm worried that Eteri and Averbukh are a bit becoming parodies of themselves.
Which brings me to why I'm saying this... please, don't bring programs like these to the Olympics... one of the reasons(outside of the obvious) that Sotnikova drew so much ire is that some of her choreography was too abstract and baffling... don't repeat that same mistake.
Here is a video of the medal ceremony
https://www.youtube.com/watch?v=EKMtjChdcL0
"This short program relates to my current situation, because it's about growing up, becoming an adult," Medvedeva said through an interpreter. "Not so much about physically growing, but about your inner world changing. As you grow up, you see the world is not as easy as it was as a child."
The teen proved she's already good at taking things in stride, competing in boots she only received a week and a half ago.
"After Japan Open, I broke my old skates, and now I have new skates, and I'm so happy because it's really good," Medvedeva said. "I really like them. It's not a problem for me."
The scariest part is that Medvedeva wasn't even at her best in Mississauga, suffering from a heavy cold that prompted her to wear a surgical mask while not skating or talking to the press. She was also just a week and a half into breaking in new boots she had gotten after the Japan Open earlier in October.
The Russian teen combined big, consistent jumps with sensitivity and elegance in her free skate to music from the Extremely Loud and Incredibly Close soundtrack, choreographed by former world ice dance champion Ilya Averbukh. She hit a big opening triple flip-triple toe loop combination and gained Level 4's for her three spins and her step sequence. A few of her jumps, including an under-rotated double axel done late in the program, were imperfect, but these were very minor blemishes.
"My performance isn't good for me, because I made mistakes on my two last jumps, and I will work harder," Medvedeva said. "But I'm so happy because I am first today."
With her programs this season, Medvedeva cements her reputation as one of the sport's best storytellers. In her short, she played a child encountering the wonder and challenges of growing up; in her free skate, she is a young woman who gets tragic news about a loved one's death in an accident.
"I shut out everything around me, try to remember him, try to remember how much I love him," Medvedeva said through an interpreter. "Then the phone rings, and I get the news he is never coming home again. It's about how you have to appreciate each moment with the people you love."