He's supposed to be the gladiator, right? With the arm armour thingy in one arm and one arm bare?This is the best look for Katelyn I've seen yet.
This is... a shirt missing one sleeve for Andrew
I could not stand the gravel voice person either.I would enjoy this program more if they used instrumental versions of MR...
(Ewan McGregor as a vocalist... and whoever does the rroooxxaaaaannnneee gravel voice thing...) :gaah:
but the actual skating is very enjoyable and I think this program works for them (vocals aside)
I would enjoy this program more if they used instrumental versions of MR...
(Ewan McGregor as a vocalist... and whoever does the rroooxxaaaaannnneee gravel voice thing...) :gaah:
but the actual skating is very enjoyable and I think this program works for them (vocals aside)
Actually it's originally a 1950's legal drama...I was a bit perplexed as I thought it was from a classical composer but it isn't....Piper and Paul are so weird and I love it all. I kept thinking, man, this feels like an '80s mystery show only to find out that's basically what it is, so kudos to them for conveying the mood.
And Tessa and Scott are gorgeous as always but there's an odd musical disconnect for me--as soon as the music builds, they just stay the same. Once the music comes back down again they're right in sync but not when it's big and dramatic.
Did Scott almost whack Tessa in the face at one point? She seemed to visibly lose balance right before the Carmen lift and the program never really got back to where it was after that.
They thought about bringing that program back (because they didn't get to skate that one in the Olympics) but in the end decided to do a new one but in the similar vein (the film noir aspect)Piper and Paul's FD's opening and closing look a lot like the opening and closing of the Hitchcock routine they did last Olympic season.
Same. I'm thinking they lost levels in some places.